one of these?
Electronica - what are you listening to?
Re: Electronica - what are you listening to?
If anyone's in any doubt this might just convince you. As monumental as they come. Good enough to buy a cdp especially for the set 😊 And convincingly shutting up the naysayers once and for all.....
Notes from Nebula blogspot:
Seeking and finding Hades: Impressions on a new Tangerine Dream box set
A poet from 6th century BC, Theognis of Megara wrote that "no man takes with him to Hades all his exceeding wealth"...
However, he had no chance of coming across the newly released Tangerine Dream box set... Both Theognis and (undoubtedly) Hades would approve of this wealth in one's possession - if only they had the chance to listen to the 16 CDs and 2 BR discs of the Virgin recordings from 1973 to 1979...
In Search of Hades not only contains splendid remasters of Tangerine Dream classic albums from the 1973-1979 period, but also numerous previously unreleased tracks that are genuinely spellbinding. The Steven Wilson mixes and Ben Wiseman-remastered versions can be heralded as examples of how informed and sensitive remastering should be done, when we are flooded with countless remastered editions of classical albums that not only over-compress the original material, but may also genuinely massacre those... The Ricochet and Phaedra remastered versions notably also restored their original structure, with material that was either cut or misplaced in some previous releases.
In addition, for the first time one can hear quality recording of certain era-defining live appearances that TD fans so far only could hear in bootleg recordings and mono radio material of highly varying "quality".
First fact to stress is that the previously unreleased material is not a mere pile of studio leftovers and obscure curiosities that stayed in dusty basements for good reason. Instead, they are astonishing electronic soundscapes that are not only musically, but also historically, significant.
The Phaedra Outtakes are of simply aching beauty, with gentle piano, flutes, strings, electronic swirls and indescribable sound effects all combining into subtle, sensitive sonic paintings that are at the same time cosmic and terrestrial, alien and human.
These recordings show again something that unashamedly biased (with good reason) TD fans have known for a long time: the way that Mellotrons are used by Tangerine Dream truly stands out, when compared to the 'raw' and typical Mellotron sounds found in countless electronic and progressive rock albums.
Among the included concert recordings, the Victoria Palace live appearance is particularly notable, as some remarked: it is an evolutionary 'missing link' between the sound world of Atem and that of Phaedra.
Not only we have here a group of fiercely innovative musicians improvising live, something that in electronic music cannot be understated, but the sonic gems of this concert have the ambient soundscapes, fluid and utterly sensitive meditations of what we could hear on the classics Zeit and Atem. These are seamlessly blending with the more melodic Mellotron strings and flutes, underpinned by tight pulsating sequencers, a novel and characteristic sound that on Phaedra became a global phenomenon.
Nothing ever stays static, nothing ever has straight lines or perpendicular sharp corners. Everything here is fluid, constantly changing and evolving...
This Victoria Palace concert is also perhaps the most audible example of the heroics that some may take for granted nowadays: one can hear how the sequencers are drifting out of tune, how the jamming musicians make this process an organic part of their improvisations and we also hear how the naughty analogue equipment is being tamed again, with on-the-fly re-tuning.
The other two London concerts, at The Rainbow Room and of course the Royal Albert Hall appearance, are connecting us more with the sound world we know from Phaedra and Rubycon perhaps, but here, too we have ample improvised compositions firmly rooted in a unique variant of space / ambient music that Tangerine Dream have unleashed on audiences well before ambient was called ambient...
In the fiery sequencer patterns we already hear elements of what Ricochet was to be, as a supreme example of Berlin School wizardry that stood the test of time. One can defy modular enthusiasts and sequencer magicians of 2019 to even replicate or emulate the astonishing sequencing present on these recordings from more than four decades ago.
The concert recordings show musicians achieving something in the 1970s that is rare even today, despite the mainstream position that some genres of electronic music occupy nowadays in major live performances and festivals. These live recordings are simply humbling: one has to clash with, and firmly realise, one's own limited human abilities, when trying to even follow the intricate multi-layered details swirlingly unleashed on us by these musicians.
Here we have largely improvised jams spanning, and seamlessly combining, distant corners of many different galaxies of electronic music. Actually playing multiple layers of intricate patterns emerging from fiendishly unstable analogue sequencers, instead of static repetitive patterns that many even now think sequencers are for? Of course, why not. Seamlessly blending spacey electronic atmospheres with gentle, almost fragile flutes and strings, piano textures and human voice? Of course, why not? Do taped strings pushed through phasers and modulated effects sit at home with pulsating Berlin School patterns of a very ordered and structured Universe? Sure.
Clearly, above is a far from exhaustive overview of the box set, but even if one omits mentions and reactions to the vast amount of musical material of this treasure chest, the Oedipus Tyrannus simply must be mentioned.
This is perhaps one of the, if not the, most mythical Tangerine Dream albums. It only existed in various unofficial forms, in highly variable (but consistently low) quality versions and it gained a mythical status not only due to these factors, but also because it contains a monumental electronic suite.
The epic material takes us from the avantgarde atmospherics of the Overture to the mind-blowing sequencers of the Battle to the playful melodic inventions of Baroque (latter actually being more of a Renaissance-era slow dance if one wishes to be knit-picking, when listening to the characteristic melodic lines). It further shows, as if there was any need, that Tangerine Dream has been and remains quintessential to the history of not just one genre or sub-genre of electronic music, but to the history of electronic music, full stop.
The range of music on just this box set shows how they have remained influential for vast arrays of electronic music ranging from most avantgarde and experimental ambient to the most mainstream sub-genres.
So what would be the single central characteristic of this vast collection of music released in this box set? Can one condense into a single word all the breathtaking and fiery improvisations, delicate and fragile melodic inventions, vibrations of star systems from distant outer space, waves and fluid motions of unidentifiable liquids, swirls and storms of strange aethers?
Most definitely, yes - and Tangerine Dream fans can put it down as nothing surprising, long-known by them and merely re-enforced by the proofs in this box.
Notes from Nebula blogspot:
Seeking and finding Hades: Impressions on a new Tangerine Dream box set
A poet from 6th century BC, Theognis of Megara wrote that "no man takes with him to Hades all his exceeding wealth"...
However, he had no chance of coming across the newly released Tangerine Dream box set... Both Theognis and (undoubtedly) Hades would approve of this wealth in one's possession - if only they had the chance to listen to the 16 CDs and 2 BR discs of the Virgin recordings from 1973 to 1979...
In Search of Hades not only contains splendid remasters of Tangerine Dream classic albums from the 1973-1979 period, but also numerous previously unreleased tracks that are genuinely spellbinding. The Steven Wilson mixes and Ben Wiseman-remastered versions can be heralded as examples of how informed and sensitive remastering should be done, when we are flooded with countless remastered editions of classical albums that not only over-compress the original material, but may also genuinely massacre those... The Ricochet and Phaedra remastered versions notably also restored their original structure, with material that was either cut or misplaced in some previous releases.
In addition, for the first time one can hear quality recording of certain era-defining live appearances that TD fans so far only could hear in bootleg recordings and mono radio material of highly varying "quality".
First fact to stress is that the previously unreleased material is not a mere pile of studio leftovers and obscure curiosities that stayed in dusty basements for good reason. Instead, they are astonishing electronic soundscapes that are not only musically, but also historically, significant.
The Phaedra Outtakes are of simply aching beauty, with gentle piano, flutes, strings, electronic swirls and indescribable sound effects all combining into subtle, sensitive sonic paintings that are at the same time cosmic and terrestrial, alien and human.
These recordings show again something that unashamedly biased (with good reason) TD fans have known for a long time: the way that Mellotrons are used by Tangerine Dream truly stands out, when compared to the 'raw' and typical Mellotron sounds found in countless electronic and progressive rock albums.
Among the included concert recordings, the Victoria Palace live appearance is particularly notable, as some remarked: it is an evolutionary 'missing link' between the sound world of Atem and that of Phaedra.
Not only we have here a group of fiercely innovative musicians improvising live, something that in electronic music cannot be understated, but the sonic gems of this concert have the ambient soundscapes, fluid and utterly sensitive meditations of what we could hear on the classics Zeit and Atem. These are seamlessly blending with the more melodic Mellotron strings and flutes, underpinned by tight pulsating sequencers, a novel and characteristic sound that on Phaedra became a global phenomenon.
Nothing ever stays static, nothing ever has straight lines or perpendicular sharp corners. Everything here is fluid, constantly changing and evolving...
This Victoria Palace concert is also perhaps the most audible example of the heroics that some may take for granted nowadays: one can hear how the sequencers are drifting out of tune, how the jamming musicians make this process an organic part of their improvisations and we also hear how the naughty analogue equipment is being tamed again, with on-the-fly re-tuning.
The other two London concerts, at The Rainbow Room and of course the Royal Albert Hall appearance, are connecting us more with the sound world we know from Phaedra and Rubycon perhaps, but here, too we have ample improvised compositions firmly rooted in a unique variant of space / ambient music that Tangerine Dream have unleashed on audiences well before ambient was called ambient...
In the fiery sequencer patterns we already hear elements of what Ricochet was to be, as a supreme example of Berlin School wizardry that stood the test of time. One can defy modular enthusiasts and sequencer magicians of 2019 to even replicate or emulate the astonishing sequencing present on these recordings from more than four decades ago.
The concert recordings show musicians achieving something in the 1970s that is rare even today, despite the mainstream position that some genres of electronic music occupy nowadays in major live performances and festivals. These live recordings are simply humbling: one has to clash with, and firmly realise, one's own limited human abilities, when trying to even follow the intricate multi-layered details swirlingly unleashed on us by these musicians.
Here we have largely improvised jams spanning, and seamlessly combining, distant corners of many different galaxies of electronic music. Actually playing multiple layers of intricate patterns emerging from fiendishly unstable analogue sequencers, instead of static repetitive patterns that many even now think sequencers are for? Of course, why not. Seamlessly blending spacey electronic atmospheres with gentle, almost fragile flutes and strings, piano textures and human voice? Of course, why not? Do taped strings pushed through phasers and modulated effects sit at home with pulsating Berlin School patterns of a very ordered and structured Universe? Sure.
Clearly, above is a far from exhaustive overview of the box set, but even if one omits mentions and reactions to the vast amount of musical material of this treasure chest, the Oedipus Tyrannus simply must be mentioned.
This is perhaps one of the, if not the, most mythical Tangerine Dream albums. It only existed in various unofficial forms, in highly variable (but consistently low) quality versions and it gained a mythical status not only due to these factors, but also because it contains a monumental electronic suite.
The epic material takes us from the avantgarde atmospherics of the Overture to the mind-blowing sequencers of the Battle to the playful melodic inventions of Baroque (latter actually being more of a Renaissance-era slow dance if one wishes to be knit-picking, when listening to the characteristic melodic lines). It further shows, as if there was any need, that Tangerine Dream has been and remains quintessential to the history of not just one genre or sub-genre of electronic music, but to the history of electronic music, full stop.
The range of music on just this box set shows how they have remained influential for vast arrays of electronic music ranging from most avantgarde and experimental ambient to the most mainstream sub-genres.
So what would be the single central characteristic of this vast collection of music released in this box set? Can one condense into a single word all the breathtaking and fiery improvisations, delicate and fragile melodic inventions, vibrations of star systems from distant outer space, waves and fluid motions of unidentifiable liquids, swirls and storms of strange aethers?
Most definitely, yes - and Tangerine Dream fans can put it down as nothing surprising, long-known by them and merely re-enforced by the proofs in this box.
Re: Electronica - what are you listening to?
Nice review Dermot.
Vinyl -anything else is data storage.
Thorens TD124 Mk1 + Kuzma Stogi 12"arm, HANA Red, Gold Note PH 10 + PSU. ADI-2 Dac, Lector CDP7, Wyred4Sound pre, Airtight ATM1s, Klipsch Heresy IV, Misc Mains, RCA + XLR ICs, Tellurium Q spkr cable
Thorens TD124 Mk1 + Kuzma Stogi 12"arm, HANA Red, Gold Note PH 10 + PSU. ADI-2 Dac, Lector CDP7, Wyred4Sound pre, Airtight ATM1s, Klipsch Heresy IV, Misc Mains, RCA + XLR ICs, Tellurium Q spkr cable
Re: Electronica - what are you listening to?
Thanks Ivor. It's just a pity I didn't write it. Somebody who is a blogger on his own Nebula blogspot .
This is all I know about him:
About The Author
Audio and image processing professional, PhD in artificial intelligence, published photographer and electronic musician with 9 studio albums so far.
Re: Electronica - what are you listening to?
Celer........ The everything and the Nothing.
Ambient drone......... a most delightful album indeed.
[url]https://rateyourmusic.com/release/album ... ing.p//url]
Ambient drone......... a most delightful album indeed.
[url]https://rateyourmusic.com/release/album ... ing.p//url]
Let the Good Times Roll...................
Re: Electronica - what are you listening to?
Currently listening to Kapnobatia........... by Atrium Carceri.
Cutting from Wikipedia as the description is most apt............
Atrium Carceri is typically described as dark ambient, black ambient and ambient industrial music. Similar to projects like Lull and Lustmord, Atrium Carceri uses synthesizers, sound effects, samples from films and anime, piano and other instrumentation to create slow rhythms, bitter melodies and complex textures generally based on themes of desolation, loneliness (solitary confinement) and environmental decay. Atrium Carceri has been praised by music critics and embraced by a cult audience for its depth of atmosphere.[4][5] According to Heath himself, each of Atrium Carceri's solo releases are centered around specific 'story arcs' within a 'grand story,'[6] and following the releases of Reliquiae and Void in 2012, has made a flowchart detailing the story progression up to that point.[7] The exact nature of the concept behind this 'grand story' has been intentionally left ambiguous by Heath, stating it's 'up to the listener and his/her interpretation' to piece together this story.[6]
https://en.wikipedia.org/wiki/Atrium_Carceri
Cutting from Wikipedia as the description is most apt............
Atrium Carceri is typically described as dark ambient, black ambient and ambient industrial music. Similar to projects like Lull and Lustmord, Atrium Carceri uses synthesizers, sound effects, samples from films and anime, piano and other instrumentation to create slow rhythms, bitter melodies and complex textures generally based on themes of desolation, loneliness (solitary confinement) and environmental decay. Atrium Carceri has been praised by music critics and embraced by a cult audience for its depth of atmosphere.[4][5] According to Heath himself, each of Atrium Carceri's solo releases are centered around specific 'story arcs' within a 'grand story,'[6] and following the releases of Reliquiae and Void in 2012, has made a flowchart detailing the story progression up to that point.[7] The exact nature of the concept behind this 'grand story' has been intentionally left ambiguous by Heath, stating it's 'up to the listener and his/her interpretation' to piece together this story.[6]
https://en.wikipedia.org/wiki/Atrium_Carceri
Let the Good Times Roll...................
-
Sloop John B
- Posts: 524
- Joined: Sat Jun 25, 2011 12:35 am
-
Sloop John B
- Posts: 524
- Joined: Sat Jun 25, 2011 12:35 am
Re: Electronica - what are you listening to?
The up and coming Manchester based artist chxmist‘s new single, just released today, on rotation chez Sloop.
Feel Me - chxmist.
[Spotify](
[Tidal](https://listen.tidal.com/track/318243336)
[Qobuz](https://open.qobuz.com/track/229885953)
[YouTube](
(Disclaimer: I share some genetic code with the artist known as chxmist)
.sjb
Feel Me - chxmist.
[Spotify](
[Tidal](https://listen.tidal.com/track/318243336)
[Qobuz](https://open.qobuz.com/track/229885953)
[YouTube](
(Disclaimer: I share some genetic code with the artist known as chxmist)
.sjb