Ivor wrote:tony wrote:The 57's were balanced precariously on old Sony book shelf speakers.
So you're listening to the vibrations and resonance from old Sony book shelf speakers at the same time? Excellent!
That was my exact thought when I read for the first time!
My opinion always was that the 57's are to light on the frame. When panel membranes are moving, frame should be 100% solid and static. To achieve that you need stability and mass. Stability is one the things that you lost when you mount them on the speaker boxes.
Again, 57's are probably the baemiest speakers ever made and tilting up-down and left-right its crucial. They also call them the most selfish speakers, because the real pleasure is only in the
one setting position.
The way I set mine is that the middle of each speaker pointed to the ear level on the the listening position, that includes the up-down also.
Most of the "old 57's guys" don't agree to this setup because of the "comb effect", but that is the best setup for the highs and clarity that I found.
In the end isn't every room just a different "comb effect"?!