
Schubert benefits from Tommy's swagger!
And it is a spectacular choral recording, maybe worth a revisit soon?fergus wrote:Jose Echenique wrote:Oh yes dear Fergus, you do have this wonderful recording in some external hard drive at your place :-)fergus wrote:
I thought that I had some of Mondonville's music in my collection but unfortunately I do not. Perhaps William Christie's "luxury treatment from Les Arts Florissants" (a very apt description for any Christie versions of anything that I have heard) would be a good introduction.
LOL!!!
You seem to know my collection better than I do Pepe as this is not the first time that you have pointed something like this out to me.
I am currently re-cataloguing my collection to help me with this very thing - perhaps I should get you over here to help me with it!! I knew that I had heard Mondonville's music before!!!
Jose Echenique wrote:fergus wrote:
And it is a spectacular choral recording, maybe worth a revisit soon?
Yes it is.fergus wrote:M9, Barbirolli....
What a wonderful work!
After discussions about him on CMG I was put off my ever getting any of his recordings.Jose Echenique wrote:
Celi could be eccentric, willful and oh-so-slow, but when he was good, he was very, very good.
His Prokofiev 5th is a marvel.
It would be a pity to miss Celi´s finest recordings. Yes, at his worst he was impossibly slow, even perversely so, but at his finest he could bring so many insights into a score as to make you think that you are listening to it for the first time. Like Glenn Gould he could also be impossibly pedantic, he once called Karajan a "camel driver", and yet his orchestras loved him so much as to sacrifice recordings contracts.Seán wrote:After discussions about him on CMG I was put off my ever getting any of his recordings.Jose Echenique wrote:
Celi could be eccentric, willful and oh-so-slow, but when he was good, he was very, very good.
His Prokofiev 5th is a marvel.